Oscar Fingal O’Flahertie Wills Wilde was born in Dublin to unconventional parents. His mother, Lady Jane Francesca Wilde (1820-96), was a poet and journalist. Her pen name was Sperenza. Wilde’s father was Sir William Wilde, an Irish antiquarian, gifted writer, and specialist in diseases of the eye and ear, who founded a hospital in Dublin a year before Oscar was born. His work gained for him the honorary appointment of Surgeon Oculist in Ordinary to the Queen. Lady Wilde, who was active in the women’s rights movement, was reputed to ignore her husbands amorous adventures.
Wilde studied at Portora Royal School, in Enniskillen, County Fermanagh (1864-71), Trinity College, Dublin (1871-74) and Magdalen College, Oxford (1874-78).
In Oxford Wilde shocked the pious dons with his irreverent attitude towards religion and was jeered at his eccentric clothes. He collected blue china and peacock’s feathers, and later his velvet knee-breeches drew much attention. In 1878 Wilde received his B.A. and on the same year he moved to London. His lifestyle and humorous wit made him soon spokesman for Aestheticism, the late 19th century movement in England that advocated art for art’s sake. He worked as art reviewer (1881), lectured in the United States and Canada (1882), and lived in Paris (1883). Between the years 1883 and 1884 he lectured in Britain. From the mid-1880s he was regular contributor for Pall Mall Gazette and Dramatic View.
In 1884 Wilde married Constance Lloyd (died 1898) and to support his family Wilde edited in 1887-89 Woman’s World magazine. In 1888 he published The Happy Prince and Other Tales, fairy-stories written for his two sons. The Picture of Dorian Gray followed in 1890 and next year he brought out more fairy tales.
Wilde made his reputation in theatre world between the years 1892 and 1895 with a series of highly popular plays. Lady Wintermere’s Fan (1892) dealt with a blackmailing divorcee driven to self-sacrifice by maternal love. In A Woman of No Importance (1893) an illegitimate son is torn between his father and mother. An Ideal Husband (1895) dealt with blackmail, political corruption and public and private honour. The Importance of Being Earnest (1895) was a comedy of manners.
Before the theatrical success Wilde produced several essays, many of these anonymously. His two major literary-theoretical works were the dialogues ‘The Decay of Lying’ (1889) and ‘The Critic as Artist’ (1890). In the latter Wilde lets his character state, that criticism is the superior part of creation, and that the critic must not be fair, rational, and sincere, but possessed of “a temperament exquisitely susceptible to beauty”. In a more traditional essay The Soul of a Man Under Socialism (1891) Wilde takes an optimistic view of the road to socialist future. He rejects the Christian ideal of self-sacrifice in favour of joy.
1897 Wilde lived under the name Sebastian Melmoth in Berneval, near Dieppe, then in Paris. He wrote The Ballad of Reading Gaol, revealing his concern for inhumane prison conditions. It is said, that on his death bed Wilde became a Roman Catholic. He died of cerebral meningitis on November 30, 1900, penniless, in a cheap Paris hotel at the age of 46.
