Agatha Christie was born in Torquay, in the county of Devon, as the daughter of Frederick Alvah Miller, an American with a moderate private income, and Clarissa Miller. Her father died when she was a child. Christie was educated home, where her mother encouraged her to write from very early age. At sixteen she was sent to school in Paris where she studied singing and piano. Christie was an accomplished pianist but her stage fright and shyness prevented her from pursuing a career in music. In her books Christie seldom referred to music, although her detectives, Poirot and Miss Marple, show interest in opera and Poirot sings in The A.B.C. Murders (1936) a World War I song. When Christie’s mother took her to Cairo for a winter, she wrote there a novel. Encouraged by Eden Philpotts, neighbour and friend in Torquay, she devoted herself into writing and had short stories published.
In 1914 Christie married Archibald Christie, an officer in the Flying Royal Corps; their daughter, Rosalind, was born in 1919. During World War I she worked in a Red Cross Hospital in Torquayas a hospital dispenser, which gave her a knowledge of poisons. It was to be useful when she started writing mysteries. Christie’s first detective novel, The Mysterious Affair at Styles, introduced Hercule Poirot, the Belgian detective, who appeared in more than 40 books, the last of which was Curtain (1975). The Christies bought a house and named it ‘Styles’ after the first novel.
In 56 years Christie wrote 66 detective novels, among the best of which are The Murder of Roger Acroyd, Murder on The Orient Express (1934), Death on The Nile (1937), and Ten Little Niggers (1939). The film version of Ten Little Niggers (1945, US title; And Then There Were None) by the French director René Clair, starring Walter Huston and Barry Fitzgerald, is one of the most faithful Christie adaptations. In addition to these mysteries, Christie wrote her autobiography (1977), and several plays, including The Mousetrap, which run more than 30 years continuously in London, and had 8862 performances at the Ambassadors Theatre in London. The play was based on the short story ‘Three Blind Mice’, and was produced in 1952 in Nottingham and London.
Christie’s marriage broke up in 1926. In the same year Christie’s mother died. After hearing that her husband had left for another woman’s house, Christie disappeared for a time. “I would gladly give £500 if I could only hear where my wife is,” said her husband. Christie’s divorce was finalised in 1928, and two years later she married the archaeologist Max Mallowan. She had met him on her travels in Near East in 1927, and accompanied him on his excavations of sites in Syria and Iraq. Later Christie used these exotic settings in her novels Murder in Mesopotamia (1936) and Death on the Nile (1937). Her own archeological adventures were recounted in Come Tell Me How You Live (1946). Mallowan was fourteen years her junior; he became one of the most prominent archaeologist of his generation. Of her marriage the writer told reporters, “An archaeologist is the best husband any woman can have. The older she gets, the more interested he is in her.” Mallowan worked in Iraq in the 1950s but returnmed to England, when Christie’s health grew weaker. His most famous book was Nimrud and its Remains.
Christie’s most prolific period began in the late 1920s. During the 1930s he published four non-series mystery novels, fourteen Poirot novels, two Marple novels, two Superintendent Battle books, a book of stories featuring Harley Quin and another featuring Mr. Parken Pyne, an additional Maru Westmacott book, and two original plays. In 1936 she published the first of six psychological romance novels under the pseudonym Mary Westmacott. After visiting Luxor in 1937, where Christie saw Howard Carter, she wrote the play Akhnaton, which was not published until 1973. It dramatized the fate of the Egyptian pharaoh Akhnaton, who tried to replace the old gods with monotheism, and Nefertiti, his wife. Christie’s play was prodeced in New York as Akhnaton and Nefertiti in 1979 and next year in London.
During WW II Christie worked in the dispensary of University College Hospital in London. She also produced twelve completed novels. After the war she continued to write prolifically, also gaining success on the stage and in the cinema. Witness for the Prosecution, for example, was chosen the best foreign play of the 1954-55 season by the New York Drama Critics Circle. Play had opened in London in October 1953 and by December 1954, it was on Broadway. With Max Mallowan she travelled in 1947 and 1949 to expeditions to Nimrud, the ancient capital of Assyria, and in the Tigris Valley.
Among the many film adaptations are Murder on the Orient Express (1974), directed by Sidney Lument and with Albert Finney as Poirot, and Death on the Nile (1978), with Peter Ustinov as Poirot. Both films were nostalgic costume dramas. Sidney Lumet wrote in Making Movies (1995) that clothes contribute an enormus amount to the style of the picture. “When Betty Bacall makes her first appearance in Murder on the Orient Express, she’s wearing a full-length peach-colored bias-cut velvet dress with a matching hat and egret feather. Jacqueline Bisset, for her first appearance, wears a full-length blue silk dress, a matching jacket with a white ermine collar, and a tiny pillbox hat with a feather… The object was to thrust the audience into a world it never knew—to create a feeling of how glamorous things used to be.” Even the small parts in Murder on the Orient Express was filled by famous stars. Richard Widmark was the victim, Lauren Bacall the American matron, Vanessa Redgrave the lady with the husband, Ingrid Bergman the nurse, and John Gielgud the Jeeves character. Also Sean Connery and Anthony Perkins appeared.
Christie herself considered his Witness for the Prosecution the best film adaptation of her work. She was very disappointed when she did not even earn an Oscar nomination.
Christie’s characters are usually well-to-do people. Often the comfortable lifestyle of his characters is undermined by financial problems, which lead to murder. Although her villains use very complicated plans, they are not impossible, but are firmly grounded on the everyday reality. In many stories the reader is fooled to suspect an innocent character, but most innovative Christie was when she revealed the guilty party: it has been the narrator, a group of people, a serial killer who tries to hide an obvious motive for his killing one of the victims, and so forth. Christie’s world view was conservative and rational, but there is always a place for accidents.
Although Christie’s writing career spanned over six decades, she was conscious of social change without fixating on the period between the two World Wars. “When I reread those first books,” she said in 1966, “I’m amazed at the number of servants drifting around. And nobody is really doing any work, they’re always having tea on the lawn.” However, she did not like editing her own text and was even reluctant to change the spelling unless a word has actually been misspelt.
By 1955 Christie had become a limited company, Agatha Christie Ltd, which was acquired in the late 1960s by Booker Books. It had already acquired Ian Fleming. In 1967 Christie became president of the British Detection Club, and in 1971 she was made a Dame of the British Empire. Christie died on January 12, 1976 in Wallingford, Oxfordshire. Mallowan died two years later, but he had married after Christie’s death an old family friend. With over one hundred novels and over one hundred translations into foreign languages, Christie was by the time of her death the best-selling English novelist of all time. Christie has entertained more people for more hours at time that any other writer of her generation.
